| This
second Leleu exhibition organized by Maison Gerard brings back the
Grandes Heures of Maison Leleu, and offers a wide spectrum of its
creations, starting as early as 1923, when Jules Leleu decided to
focus solely on designing furniture and interiors, and ending in
the early nineteen-seventies when Maison Leleu closed its doors.
The
exposition showcases several winning Leleu designs, such as the
two-door cabinet with ivory escutcheons which remains a Grand
Classique of Leleu, but also numerous other pieces of furniture
decorated with ivory, mother of pearl, lacquer, bronze or shagreen.
For
example, the tripod Coffee Table goes back to the days of the
great ocean liners such as the Ile de France, the Liberté,
the France or the Normandie for which Leleu was one of the main
decorators. These vessels connected Le Havre to New York on a
regular schedule, and they could be considered as floating French
Ambassadors for the French way of life (l'Art de vivre Français)
Some
of the pieces in this exhibit were designed in France for American
interiors, as Maison Leleu, with Baccarat and Porthault, had their
own showroom in New York as early as 1948. Located at 55 East
57th Street, New York, Leleu remained for nearly two decades in
America.
Jules
Leleu was a family man and Maison Leleu always a family business.
A business run with every family member involved, creating a great
atmosphere. Wives, nephews, sons and daughters; all contributed
to the great quality furniture and interiors, which were never
pompous, but always stylish, warm and welcoming.
Françoise
Siriex
Françoise Siriex was a decorator and collaborator of Leleu
for over 30 years.
She is the co-author of Le Tapis Français du XXe siècle,
Edition de l'Amateur
& the Honorary President of Les amis du Musée des Années
1930.
Françoise Siriex is currently working on the catalogue
raisonné on Leleu, which will accompany a traveling Exhibition
organized by Le Musée Des Années 1930, in Boulogne-Billancourt
near Paris, and the Musée de la Piscine in Roubaix.
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